Still from Model
TIFF Review: Short Cuts Canada Programme #3

Programme #3 has a loose focus on personal relationships, and features a number of established and emerging filmmakers. Charles Officer’s 100 Musicians has a somewhat humorous political edge, as a couple argues over a radio report they may have heard which said Toronto’s Mayor Ford wanted to hire 100 musicians, or 100 police officers. In Mike Clattenburg’s Crackin’ Down Hard, racial tensions arise between a rock climber and a pimp. Martin Thibaudeau’s fascinating short about a graveside funeral service sets the scene for something even more disturbing.

Le future proche is a méditation on the solitude of a pilot, and Guillaume Cote presents a beautiful (but brief) dance number. In With Jeff, a reserved young woman in Montreal becomes infatuated by a mysterious classmate.

Two off-beat shorts stand out as the best of the lot. Dylan Riebling’s Model is a silent and beautifully designed short featuring a 3D model based around some downtown city blocks. In Dusty Mancinelli’s Broken Heart Syndrome, a music teacher suffers from the side effects of some medication that’s supposed to cure his broken heart.

The film selections in Programme #3 are a bit of a mixed bag, but it’s a highly enjoyable one, with several really brightly shining stars peppered throughout.

Is  Short Cuts Canada Programme #3  Essential TIFF Viewing?  

Of course! Get your Canadian shorts while you can. It’s probably your only chance to see them on the big screen with a big appreciative audience. Take it.

Screening Times for  Short Cuts Canada Programme #3

  • Monday September 10, 2012 at 6:45 pm at TIFF Bell Lightbox 4
  • Tuesday September 11, 2012 at 12:15 pm at TIFF Bell Lightbox 4

More About This Screening

Short Cuts Canada Programme #3  Production Gallery

Katarina Gligorijevic

Katarina Gligorijevic is a Toronto based writer and major movie nerd whose work has appeared in two Coach House Books anthologies, Point of View magazine, Exclaim!, Twitch, and several other online and print publications. In addition to Toronto Film Scene, she contributes to They Shoot Actors, Don’t They? and is currently working on a novel about abductions and communicating with pears, and a screenplay about a sexy werewolf.

Latest posts by Katarina Gligorijevic (see all)

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